"Moving on is like this: one day you forget the taste. The next, you
forget the smell. Then the touch. Then the laugh. Then the smile. Then
the jokes. Then the eyes, the hair, the hands, the feet. You forget the
socks. You forget the fingers, the toes, the sex. You forget the pulses,
the beats, the rhythms and how you sometimes felt like they all
belonged to you. You forget the words; finally, you forget the voice
that spoke them. Moving on is like one day, you’re walking or reading or
drinking the sun and one of those footprints, one of those artifacts
will creep into your consciousness, “already seen,” the French call
this, déjà vu, and you won’t know where it belongs or how it got there.
All it takes is a familiar laugh, a recognizable word and you are
transported to who knows where. You are a confused paleontologist now,
scrambling to make sense of things left behind, trying to reunite the
right dinosaur with the right bones. The scar from his burst appendix
goes here, the part of his leg that doesn’t grow hair belongs there, I
think this is his morning breath but maybe it belongs to someone who
came before him; some other ghost, some other relic. His taste is an
aftertaste now, his crow’s feet a souvenir with no place to call home.
That’s what moving on is like.
Moving on is not to destroy or to combust or to set ablaze, it is simply
to move, to advance through space and time, to leave behind the
familiar dull of heartbreak for the new, the unknown, the strange.
Moving on is a bird flying south for the winter who decides maybe the
warmth isn’t so bad, who decides maybe he’ll stay there for awhile;
moving on is like freedom, is what moving on is like."
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